(1867-1939 ) - Painter  Related Paintings of Oscar Pereira da Silva :. | Giotto's Childhood | Dorso de mulher | Self-portrait | Giottos Childhood | A excomunhao de Roberto, o Piedoso |
Related Artists:
Hans von Kulmbach
(real name Hans Suess or Hans Seß) was born around 1480 in Kulmbach, Franconia and died previous to Dec. 3, 1522 in Nuremberg. Hans von Kulmbach was the artist who created the Krakew St. John's Altar. Kulmbach probably arrived in Nuremberg around 1505. He received instruction by Jacopo de' Barbari, who for a time worked in Nuremberg. Von Kulmbach then apprenticed with Albrecht Derer and after Derer retired from painting altarpieces in 1510 Kulmbach took over most of his commissions. Kulmbach had his own workshop in Nuremberg and at times worked in Krakew. He also created artworks for emperor Maximilian I and for Margrave Casimir Hohenzollern von Brandenburg-Kulmbach. His best works were stained-glass windows in churches, such as the Maximilian stained-glass, Margrave stained-glass at St. Sebald in Nuremberg, the Welser stained-glass at the Frauenkirche and the Nikolaus altar at Lorenzkirche. In 1511 he finished the St. Mary's altar at Skałka in Krakew. The Catherine and St. John's altar also in Krakew, are among his best works.
Christoph Amberger
(c. 1505 --1562) was a painter of Nernberg in the 16th century, a disciple of Hans Holbein, his principal work being the history of Joseph in twelve pictures. Amberger travelled to Northern Italy and Venice between 1525 and 1527. He died in Augsburg.
Niko Pirosmanashvili
(born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.